Sonnet 129 Meaning - 1300 Words

Sonnet 129 is about the sin of lust and the actions and feelings that correspond with it. The author tells a story of sorts, outlining the feelings one goes through before, during, and after indulging in lust. It tells of the urge before, the bliss during, and the regret and shame after. The author states that although men know the unhealthy cycle, they continue to take part in it. Underlying, however, is the speaker’s own struggles within lust. The speaker feels great religious guilt and shame for his sin. Moreover, the act of lust itself as well and his fear, and regret surrounding it, drive the speaker towards madness that he attempts to remedy by finding a logical solution to this human struggle. The first quatrain and the couplet of†¦show more content†¦His writing shifts in this way in an effort to draw the reader’s attention. This frantic style of writing is meant to parallel the speaker s thought process and mental state. In addition to this frantic writing style, the author repetitively uses opposing and contradictory words whilst attempting to describe lust, â€Å"enjoyed† (5) and â€Å"despised† (5), â€Å"hunted† (6) and â€Å"hated† (6), â€Å"bliss† (11) and â€Å"woe† (11), and â€Å"joy† (12) and â€Å"dream† (12). In addition to these contradictions, there is also heavy repetition. The words extreme and lust are both repeated several times throughout the poem. These conflicting views of lust, as well as the repetition of language, further reflect the confused, frantic, and frazzled mental state of the speaker. Beyond the madness as a result of guilt, the author claims lust within itself creat es madness, â€Å"On purpose laid to make the taker mad:/ Mad in pursuit and in possession so, / Had, having and in quest to have, extreme;† (8-10). These lines create a metaphorical crack within the armor of the speaker’s mind that will echo throughout the entirety of the poem. As the authors guilt strains more and more upon his mental state, he must find a way to cope. He attempts to reach solace by using logic. Vendler notes this occurrence, â€Å"The speaker’s choice of definition and division into parts in the deceptively scholastic beginning (‘Th’expense of spirit in a waste of shame/ Is lust in action, and till action, lust / Is perjured,’ etc.)Show MoreRelatedShakespeare s Sonnets Of 14 Lines1542 Words   |  7 PagesShakespeare’s sonnets of 14 lines, are written in iambic pentameter, five metrical feet to a line, each foot having one unstressed syllable followed by a stressed syllable, with three quatrains and rhymed couplet scheme of abab cdcd efef gg. Often the beginning of the third quatrain marks the line in which the mood turns, and the poet expresses a revelation or epiphany. 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The History Behind the Invention of the Digital Camera

The history of the digital camera dates back to the early 1950s. Digital camera technology is directly related to and evolved from the same technology that recorded  television  images. Digital Photography and the VTR In 1951, the first  video tape recorder  (VTR) captured live images from television cameras by converting the information into electrical impulses (digital) and saving the information onto magnetic tape. Bing Crosby laboratories (the research team funded by Crosby and headed by engineer  John Mullin) created the first early VTR and by 1956, VTR technology was perfected (the VR1000 invented by Charles P. Ginsburg and the Ampex Corporation) and in common use by the television industry. Both television/video cameras and digital cameras use a CCD (Charged Coupled Device) to sense light color and intensity. Digital Photography and Science During the 1960s, NASA converted from using analog to digital signals with their space probes to map the surface of the moon (sending digital images back to earth). Computer technology was also advancing at this time and NASA used computers to enhance the images that the space probes were sending. Digital imaging also had another government use at the time that being spy  satellites. Government use of digital technology helped advance the science of digital imaging, however, the private sector also made significant contributions. Texas Instruments patented a film-less electronic camera in 1972, the first to do so. In August 1981, Sony released the Sony Mavica electronic still camera, the camera which was the first commercial electronic camera. Images were recorded onto a mini disc and then put into a video reader that was connected to a television monitor or color printer. However, the early Mavica cannot be considered a true digital camera even though it started the digital camera revolution. It was a video camera that took video freeze-frames. Kodak Since the mid-1970s, Kodak has invented several solid-state image sensors that converted light to digital pictures for professional and home consumer use. In 1986, Kodak scientists invented the worlds first megapixel sensor, capable of recording 1.4 million pixels that could produce a 5x7-inch digital photo-quality print. In 1987, Kodak released seven products for recording, storing, manipulating, transmitting and printing electronic still video images. In 1990, Kodak developed the Photo CD system and proposed the first worldwide standard for defining color in the digital environment of computers and computer peripherals. In 1991, Kodak released the first professional digital camera system (DCS), aimed at photojournalists. It was a Nikon F-3 camera equipped by Kodak with a 1.3-megapixel sensor. Digital Cameras for Consumers The first digital cameras for the consumer-level market that worked with a home computer via a serial cable were the  Apple QuickTake 100 camera  (February 17 , 1994), the  Kodak DC40  camera (March 28, 1995), the Casio QV-11 (with LCD monitor, late 1995), and Sonys Cyber-Shot Digital Still Camera (1996). However, Kodak entered into an aggressive co-marketing campaign to promote the DC40 and to help introduce the idea of digital photography to the public. Kinkos and Microsoft both collaborated with Kodak to create digital image-making software workstations and kiosks which allowed customers to produce Photo CD Discs and ​photographs and add digital images to documents. IBM collaborated with Kodak in making an internet-based network image exchange. Hewlett-Packard was the first company to make color inkjet printers that complemented the new digital camera images. The marketing worked and today digital cameras are everywhere.

Afghan Women Revealed Free Essays

In the year 2001 2002 the United States of America engaged in a political campaign for the war in Afghanistan. In her essay â€Å"To unveil the threat of terror†, Dana Cloud accuses the United States government to construct a hypocritical justification for the war in Afghanistan. The United States used the picture of veiled woman and children and presented them to the united citizens as oppressed and needing help. We will write a custom essay sample on Afghan Women Revealed or any similar topic only for you Order Now Dana Cloud argues that the real motif of the war was to obtain economical and geopolitical control of the territory of Afghanistan. In this essay we will analyze one of the photographs that played a big important role in the Afghanistan war campaign of the United States. Our goal here will not be to discuss the real reason of the war but to determine if the pictures really represented Afghan women and children as oppressed and needing help. We will then try to determine if the united states where in fact able to help this women. Based on our conclusion we will propose a more parsimonious property of these images: a property that all photographs possess and that Morris calls an express train to error. The afghan woman is a photograph of a young afghan girl taken by National Geographic photographs in a refugee camp in Afghanistan. The girl in the photograph is wearing a red torn burka and her piercing eyes are gazing at the viewer. Some say that she looks angry, others that she looks desperate and needs help. The truth is that we will never really know what she felt at that moment. But what we can be sure of in that picture is that if the United States had not gone to war in afghan we would not have been able to gaze at her photograph for the simple reason that in afghan culture, women are not allowed to show their faces. In an American perspective, the United States had helped this young afghan girl to be free and express her identity. Ironically although the picture promotes individuality and freedom, the picture also oppresses individuality and freedom as well. It possesses a dimension of individuated aggregate. They were no name in the photograph just â€Å"the afghan woman†. By naming the photograph the Afghan woman and publishing it in the United States Press, the photograph served as a representation of all the afghan women and thus ignored the specific individual represented in the photograph. An American citizen ignorant of afghan culture and proud of his own culture and belief will automatically perceive the girl in the photograph as freed and experience what Dana Could referred to as paternalism: a need to protect her. Thus we find that Dana could argument that the United States spread an image of savior during the 2001-2002 war campaign. Did they really save this girl, or the other afghan woman? The eyes of the Afghan girl had captivated the world so much that the National Geographic photograph that had taken her photograph was sent to search for her. Mc Curry says that he went first with his search team to the original place where the photograph was taken: the refugee camp of Nasir Bagh. A man who heard about the search told them he knew the girl in the picture. He claimed she was his childhood friend and that she had returned to Afghanistan near Tora Bora.. Mc curry was informed by the team that He told them that she was a childhood friend and that she went back to Afghanistan and in she had returned to Afghanistan years ago, he said, and now lived in the mountains near Tora Bora. When McCurry got to the place and saw her walk I the room he told himself: this is her. Thus â€Å"the girl with the piercing green eyes† or â€Å"the afghan girl† was identified. Her name was Sharbat Gula, and she was Pashtun, one of the most violent tribe of Afghanistan. Mc Curry took a new photograph of her and her eyes were still burning with ferocity. Her eyes were still sea green, big haunted and haunting green eyes. In them you could read the tragedy of a land drained by war not the relief and freedom that the United States should have brought with them. If the United States had helped this girl and the other women by going in war with the Taliban, this girl her eyes would have looked happier, less angry, or simply different. We would have noticed a change, but the only change we notice is the change of a girl into a woman. This change is not relevant to the United States going to war with afghan but to nature. When observing the afghan girl one should not make biased assumption. Although being unbiased is thorough, it is not impossible. While looking at the photo of the afghan girl a viewer should see all facets of the photograph or image being observed. While the photograph of the afghan woman portrays the oppression that afghan women experience, it also expresses the tragedy and struggled experienced by women in war. As Ell Morris described in his†¦. Photographs and images are an express train to error and believing is seeing. When one observes the photographs of the afghan women, one sees what he wants to see: a women that need help from the united states,a women that is angry, a women that is ravaged by a war ,a woman that is ashamed to show her face,a woman that is revolted. hey are so many interpretation that can be drawn from the afghan woman,but none of them can really grasp the reality that the photographs bring. it is just as ell morris said. While photograph reveals important some things, they hide or misrepresent others. Thus the photograph of the afghan woman has one very parsimonious property. a property that all photographs share: to represent a blurry reality. However although the photograph is not a real represe ntation of afghan woman, it remains true that they are oppressed and ravaged by the tragedy that is war. How to cite Afghan Women Revealed, Essay examples

Poetry Commentary on The Sunne Rising by John Donne Essay Example For Students

Poetry Commentary on The Sunne Rising by John Donne Essay Personification Is a theme throughout the poem, because the speaker is talking to the sun as if he was human being. The poem is a dramatic monologue, because the narrator is speaking to himself and the speaker is not John Done. The speaker in the poem is a man lying in bed and he is angry with the sun as it is interrupting his time with his lover. He addresses the Sun as Busy old fool, unruly sun (1. 1). He claims the sun as unruly because, It Is peeping through the bedrooms windows and curtains and Is disturbing the lovers. His tone is rather saucy or sassy. Saucy is a coincidental word, because in line 5 he calls the sun a saucy pedantic wretch, but he is the one who is being rude y yelling at the sun. The formation of the three stanzas could represent the three times of day: morning, afternoon, and night time. The sun has different positions throughout the day. It wakes people up as It rises; It shines all day, and then signifies bedtime when It sets at night. The ending rhyme scheme of each stanza follows the pattern BEACHED. A main focus of the poem is the hyperbolic content of it. First, the man is talking to the sun as if it is a conscious human being. Secondly, the speaker says love No season knows, nor clime,/Nor hours, days, months, which are the rags of time (1. ). Lastly, the man claims that his love Is so great that kings and princes from all around the world would envy It. The two lovers In the bedroom are the world. The speaker states, Whether both outlandish of spice and mine/ Be where thou lefts them, or lie here with me (l. 17-18). He is comparing his lover to Indian spices, meaning he has the riches of the world in bed with him instead of where the sun left them, in India. There Is a global sense to the poem since the sun shines across the whole globe everyday. The mention of India Is significant because In the fifteenth European explorers began arriving in the Americas, returning to England with newly found treasures and stories. During Donnas lifetime, colonies were established in North and South America, and the riches that flowed back to England dramatically transformed English society. The speaker conveys indifference toward recent voyages of discovery and conquest, preferring to remain In bed with his lover. The comparison of the new lover to the discovery of new land shows that the lovers body Lastly, the speaker mentions that the sun only has to shine on the two lovers in bed because they comprise of the whole world. Shine here to us, and thou art everywhere second to last line shows that they are they are the only people in the world or that they represent the world and everything that matters is right there in the bed. He claims his lover is all the princes. Acknowledging the suns navigation and hard work it does every day to light up the world, he takes grief on the sun and claims the sun now only has to shine on the two lovers bed and he is shining on the whole world. The bed signifies the earth and the spherical room is the sun. They are the center of the universe with the sun as their servant.